The “Journey of a Thousand Textures” ~ Blog

Starting the Journey

Working with different Fine Art Textures over the years I found what works for me and what does not work for my images and that has given me the experience to create my own Fine Art Textures.

In my Texture workshops I have been asked how do you know what textures to choose, what colour and appearance. The answer is “the journey of a thousand textures” ( I will use the word textures in this blog, but what I am referring to is Fine Art Textures ~ see my blog What is the difference)

Lessons learnt

When I first started using textures on my photos, I used my own photos such as concrete, bark, bricks and so on and found they didn’t work as they were too dominant and looked horrible (to me anyway). Then I discovered some free textures on line but I found I was limited to colour and appearance, and they did not work for me or the photos I chose. The next discovery was buying textures that were labelled Fine Art Textures, I had never heard of this before. Using Fine Art Textures opened up a another world of using textures on my photo’s, I was finding I was happy with the result (well give or take a few disasters). Having a library of Fine Art Textures gave me choices to use for my photos. I got lost in the world of textures!

I can remember at times I would struggle with what texture to choose, what would look good as a thumbnail to placing it over my photo, where it would look horrible. Why was this? I loved the colour the texture what was I doing wrong. At times I would choose between 5 - 8 textures, before I found one I liked. Failure didn’t mean I was no good, rather I hadn’t developed my “texture sense” yet. The best learning curve was to have choices, I tried using my own “texture photos” or surface photo’s they did nothing to enhance my images, so I played with textures other creatives had designed. What I did not realise at the time (other than being frustrated) I was developing my “eye for what textures”.

Develop your Texture instincts

At first, I applied textures to my landscapes. My thought process was my photo was missing something or that extra pizazz. So why not “wack” a texture over the top to see what it did. Sometimes it worked, more than often enough it did not. Then I started to learn what photo would work with a texture. I was developing my “instincts”. As I got better with my choices, I discovered I could give a different look to my photos, more of a “arty feel” as my confidence grew, I experimented more and more. I had my favourites and knew which ones would work on my photos; I was hooked with textures. I experimented with landscapes, flowers, architecture photos. All those hours creating images using textures taught me valuable lessons. Here are some of my early attempts at using Textures!

What photo to use a Fine Art Texture on?

◼ When you first start using textures your choice of photo is the base ingredient, not every photo suits a texture and cannot disguise a bad photo. Start with something simple like an abandoned building, which on its own may look “BORING” but by adding a texture can bring it to life, you can give it a grungy or vintage feel the look is endless.

◼ Experiment with different photos. It is not about creating a masterpiece or competition worthy image; it is more about learning what works and does not. Remember the texture you choose should enhance your image and not take over as the subject. You want to enhance your subject, not compete with it.

Think like a “creative not a photographer”

Shock horror I can hear some of you say, what does this mean. They are different approaches ~ thinking like a “photographer” means I want to use my own photos and my photos will work as a texture. The “creative” says give me choices, let me outsource I do not mind, I can get on with creating something.

Don’t get me wrong using your own photos to create your textures is satisfying and rewarding, but you have to first understand the why, how, when and what of textures before you create your own Fine Art Textures.

Once you have that in your “toolbox” of tricks then have fun with the next phase of learning how to create your own Fine Art Textures, if you want to.

Build up your resources

To learn how to use textures what colours to choose and what appearance you want here are some suggestions:

◼ Use other resources, look on the net for free fine art textures (download my Free Textures)

◼ Buy fine art textures from creatives, who create textures. The choice is endless, choose ones for colour and appearance, basically what speaks to you.

◼ Whether you choose either or both the aim is to play and experiment using them on your own photos. This develops your “texture instincts”.

◼ If you restrict yourself with choices it narrows your learning

What Fine Art Texture works?

Choosing a texture is a matter of personal choice, if you have not used textures before, unfortunately it is a trial-and-error phase. You need to develop your “eye” to find which texture(s) to use for your images. Some guidelines for you in choosing a texture:

◼ Look at the shapes and lines in your photo. If there are strong lines for example a photo of an old building, you do not want to choose a texture that has a lot of vertical or horizontal lines. Choose a texture that is more subtle.

◼ If your photo has the colour and tones you want, and you feel a Fine Art Texture would enhance it, but you want to keep the depth of the colour add what I call a “neutral colour” or “black white” texture.

Get frustrated but do not give up

16 Provincial Digital Textures
Quick View
16 Provincial Digital Textures
A$15.00
Add To Cart

◼ Go through your photos and pick the ones you think that will work with a texture overlay

◼ Build up your Fine Art Textures library ~ as mentioned search for freebies or purchase a handful of fine art textures to start you off or if you have the skills create your own.

◼ Look for images that have had textures used for inspiration and ideas.

◼ Have fun experimenting using different photos, fine art textures for either colour or appearance.

Looking back

Firstly if I had given up I would not be creating the creative images I do now and still having fun experimenting with textures.

Secondly, having the tools and resources at my finger tips allowed me to discover. I didn’t create my own textures I outsourced them and all my decision making was based on what colour or texture would work on this photo.

Thirdly, having developed my “texture sense” I experimented with creating my own textures using my own photos, I knew what I wanted and didn’t have to guess I had done the “learning curve” earlier.

So literally my journey was one of a “thousand textures” (well maybe a few less, I can’t remember), Start your journey with textures if you want to try something different.


SandraD Imagery

I am an Award Winning Creative who is passionate about teaching and being creative | Photoshop Teacher | Adobe Community Expert | AI Artist | Creative Coach

https://www.sandradimagery.com/
Previous
Previous

Use Fine Art Textures to turn your photos into art ~ Blog

Next
Next

How do you know what texture to use? ~ Blog